Music Review

Book Reviews and Reading Diary
CD Buying Guide and Music Links
Best-of lists
CD Reviews
CDs, sorted by Style
CDs, sorted by year issued
CDs, sorted by publication review ran in
CDs by San Diego bands
All CDs, sorted by band name
All CDs, sorted by album title
Favorite quotations
Contact Me

Mellow, attractive country-rock

By The Coyote Problem

Self-released: 2007

Buy this CD from CD Baby
Buy it now

This review first appeared in Turbula in May 2007.

The second CD from San Diego County's the Coyote Problem finds the band presenting a likeable, radio-friendly country-rock hybrid of the sort that the Eagles, Linda Ronstandt and Pure Prairie League popularized 30 years ago. But fellow '70s country-rockers Poco might be a better comparison, as the music found on the Coyote Problem's "California" is of a similarly mellow appraoch. (And lead singer Peter Bolland's voice is fairly similar to those of one-time Poco singers Rusty Young and Paul Cotton.)

The 16 songs here were all written by Bolland, who also plays guitar for the trio. There are some lovely melodies here, and a few truly memorable hooks.

What's most remarkable about this album, though, is how fully integrated the band's sound is. Yes, Bolland's slightly raspy vocals are a major component of the band's sound, but so is the casual, loping rhythm of drummer Danny Cress and the tightly woven interplay between Billy Fritz's bass and Bolland's guitar, as are the vocal harmonies of Bolland and Fritz. The band itself has a personality apart from that of its three members.

"Into the Mystery" is a good example of that personality. The song opens with a Mexican-tinged guitar passage before Bolland's attractive tenor singing voice takes the lead atop a gently rocking guitar-bass-drums backbeat. "She's Alone Again" is another gem: plush-pile vocal harmonies caressing gorgeous melodic theme. "I Still Believe" is also a keeper.

The only drawback on this album is that almost all of the songs have the same relaxed, mellow feel. Listening to 16 songs performed in a subdued meter is a bit repetitve after awhile. Even the relatively uptempo songs, like "Let's Get Drunk," "England" and "I Got Out," would be most other bands' ballads. The band simply never lets loose and rocks out – and without some pure rock 'n' roll, how much of a country-rock hybrid is it?